The Kitchen as a Womb Experiments

Here we have a selection of some of my experiments so far this term from looking at the kitchen and especially baking as a way of conceptualising the creation of a child. Let me know what you think, I’d love some feedback. 🙂

Catching up

It’s been a while my pretties, I’ve been extremely busy with all sorts of projects. I’ve moved into doing a lot of creative writing, so if you can bear it, I’ll probably be posting up snippets of that soon.

I exhibited at a delightful little show called Lumière last week on Rivington Street (near Old Street), it was only a short show of 2 days but for the first time I exhibited the piece of work; Shatter. I had lots of excellent feedback as it is so different when showing it on the wall rather than on a website or in a book.

Almost every day of the past 2 weeks has been solidly full from dawn until midnight! There was Ben Roberts’ book launch on Monday, last night was the intelligence2 discussion on Art Photography at the Saatchi gallery and all sorts more! I’m guessing this surge of activity is due to the nights getting lighter. There is an overwhelming amount of excellent photography shows on at the moment, from the Saatchi Gallery, Michael Hoppen Gallery and the Tate Britain.

So much to see, so little time!

David Hockney RA Exhibition

I had the delightful opportunity to see Hockney’s new exhibition at the Royal Academy. I’m a big fan of Hockney, not all of his work but I feel he has something like no one else especially in regards to the photographic. His portraits are my favourites so as you can imagine I was slightly worried going to an exhibition of his made up solely of landscapes. However, I should never have worried as there were so many surprises.

I’d studied Hockney’s early work at school, especially being fascinated by a book in our library of his photo collages which after seeing a few times became a gimmick. Yet to be confronted with an image I had picked apart so much let me relive that first discovery. That first moment where you realise what he has done. It was wonderful.

I realise the exhibition has been blogged and spoken about by anyone and everyone but I’d like to use this opportunity just to say what jumped out to me the most. In this piece above his use of colour to push you away from others yet keep to the naturalness of the scene is genius. The delicate pink of the flowers in the shadows of the trees and the red orange of the leaves and earth in the light work beautifully together for example. I’m intrigued by his use of 6 canvases in one, when in the exhibition for me they just worked so well. Splitting up the painting like his previous photo collages yet never disturbing the eye. Amongst seemingly natural paintings were ones like the first I have listed on this blog where he moves between fantasy and the real, almost Van Gogh, back to the psychadelic sixties… it was something refreshing.

Walking into the Spring Room you are confronted with two large walls covered in beautiful prints of Hockney’s iPad drawings/paintings, I was spellbound by these. Walking up and down, walking closer and further away. They are at once completely and totally Hockney and yet you are still drawn back to the tool itself. Muchlike all hockney’s work, I like looking at them at a distance. I’m more concerned with the composition, use of colour and form in the paintings as opposed to the brushstrokes and the actual creation of the paintings.

The biggest surprise and probably my favourite element of the exhibition was Hockney’s use of moving image. You walked into a large dark room with 3×6 screens, where hockney had attached 9 cameras to his assistant’s car and had moved through the landscape slowly at different times of year. The cameras aren’t completely ligned up like his collages and so there is a disjointed relationship with the tracking of the movement and yet it is the best sense of 3D I’ve ever come across. It works a lot more like our eyes in that our eyes are not like cameras who can only focus on one view but have peripheral vision and can see much further. The silence of the video is haunting but works beautifully as the snow falls or the wind blows. He also had another surprise as with these landscapes he made some films in his studio with the same technique. I’m a big fan of dance, especially tap dancing and there was a fantastic tap dance routine with dancers in his studio where the bodies of the dancers were pulled and pushed together with the different viewpoints. It was like watching paint come together on a canvas before your eyes.

So there you have it, one of the best exhibitions I’ve seen in a while. Definitely worth negotiating the crowds.

Sample 12 Exhibition (Reminder)

As many of you are aware from my previous post, I’m exhibiting at theprintspace tomorrow evening (2nd February) until 28th February in a group show! I invite you all if it’s possible to come to the private view tomorrow from 7 until 9:30pm where free refreshments are provided, otherwise the exhibition is on Mon-Fri for the next month! Do tell if you see the exhibition, I’d love to hear what you think!

Cat’s False Alarm – Sample12 Exhibition

Cat’s False Alarm – Jasmine Gauthier (2010)

I’ll be exhibiting in a group show called Sample 12 at ThePrintSpace in London (see address above), from 3rd – 28th Feb 2012 (Mon-Fri). The Private View is on the 2nd February, 7pm until 9:30pm. I’d love to see some of you guys there or perhaps drop me a line if you do visit another time during the week and tell me what you thought!

Thanks!

Annabel Elgar

Annabel’s work was a fascinating find at the recent exhibition at the Wapping Project: Bankside (http://www.thewappingprojectbankside.com/exhibitions/index.shtml). I kept returning to her work more than any of the others as they were dark and beautiful, reminiscent of fairytales and full of strange narratives.

The exhibition had this to say about her work:

Annabel Elgar stages her work in imagined places that might initially appear idyllic, but contain unsettling details that suggest otherwise. Her photographs recall strange fairy tales and cultish activity, but their subject matter is real life torments: relentless s truggle between the rich and the poor, the home as a site of poverty and ruin; the family a source of treachery and despair.

http://www.annabelelgar.com/

Happy New Year – Exhibition Soon

What will 2012 bring? That is all that I think about at the moment! I’ve had a wonderful break for Christmas and New Years, visited Paris, received good news and relaxed with family and friends.

In 2011 many exciting things happened; from exhibiting work, experimenting more and more as an artist and my work being written about. It only makes me more excited for the year ahead.

My good news is that I’ve been asked to be in a group show called Sample 12 at theprintspace in London. It begins on the 2nd February 2012 with the private view and continues for three weeks. Do tell me if you get to visit it!

I will leave it at that for now, as it is a busy time preparing for the next year!

Happy New Year!